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This work examines a series of visual poems that Guillaume Apollinaire composed in 1917 for an exhibition of paintings by Leopold Survage and Irene Lagut. Depicting horses, flowers, landscapes, and clocks, they represent the culmination of ApollinaireOs visual experiments and contain some of his most pleasing forms. Illustrated.
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This work examines a series of visual poems that Guillaume Apollinaire composed in 1917 for an exhibition of paintings by Leopold Survage and Irene Lagut. Depicting horses, flowers, landscapes, and clocks, they represent the culmination of ApollinaireOs visual experiments and contain some of his most pleasing forms. Illustrated.