Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
The long-lost comic strip masterpiece by legendary children’s book author Crockett Johnson (Harold and the Purple Crayon, The Carrot Seed), collected in full and designed by graphic novelist and Barnaby superfan Daniel Clowes (Ghost World).
Volume Three collects the postwar years of 1946-1947, continuing five-year-old Barnaby Baxter and his Fairy Godfather J.J. O'Malley’s misadventures. Bumbling but endearing, Mr. O'Malley rarely gets his magic to work-even when he consults his Fairy Godfather’s Handy Pocket Guide. The true magic of Barnaby resides in its canny mix of fantasy and satire, amplified by the understated elegance of Crockett Johnson’s clean, spare art. In its combination of Johnson’s sly wit and O'Malley’s amiable windbaggery, a child’s feeling of wonder and an adult’s wariness, highly literate jokes and a keen eye for the ridiculous, Barnaby expanded our sense of what comics can do. This volume also features essays by comics historians Nathalie op de Beeck and Coulton Waugh, as well as Johnson biographer Philip Nel.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
The long-lost comic strip masterpiece by legendary children’s book author Crockett Johnson (Harold and the Purple Crayon, The Carrot Seed), collected in full and designed by graphic novelist and Barnaby superfan Daniel Clowes (Ghost World).
Volume Three collects the postwar years of 1946-1947, continuing five-year-old Barnaby Baxter and his Fairy Godfather J.J. O'Malley’s misadventures. Bumbling but endearing, Mr. O'Malley rarely gets his magic to work-even when he consults his Fairy Godfather’s Handy Pocket Guide. The true magic of Barnaby resides in its canny mix of fantasy and satire, amplified by the understated elegance of Crockett Johnson’s clean, spare art. In its combination of Johnson’s sly wit and O'Malley’s amiable windbaggery, a child’s feeling of wonder and an adult’s wariness, highly literate jokes and a keen eye for the ridiculous, Barnaby expanded our sense of what comics can do. This volume also features essays by comics historians Nathalie op de Beeck and Coulton Waugh, as well as Johnson biographer Philip Nel.