National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colourful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instruments; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic and the excess of awful Christmas recordings.