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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Except for the title story, The Piazza, all of the stories had appeared in Putnam’s Monthly, the first being Bartleby, the Scrivener in 1853.
Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galapagos Islands, that garnered the most attention from critics.
Included in this collection are six tales that range considerably – from The Encantadas (an allegorical travelogue) to the haunting Bartleby, the Scrivener.
Opening the volume is The Piazza, a pastoral sketch that frames the collection. Benito Cerenno – a subversive satire – it grows out of a true story of mutiny among the enslaved …
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Except for the title story, The Piazza, all of the stories had appeared in Putnam’s Monthly, the first being Bartleby, the Scrivener in 1853.
Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galapagos Islands, that garnered the most attention from critics.
Included in this collection are six tales that range considerably – from The Encantadas (an allegorical travelogue) to the haunting Bartleby, the Scrivener.
Opening the volume is The Piazza, a pastoral sketch that frames the collection. Benito Cerenno – a subversive satire – it grows out of a true story of mutiny among the enslaved …