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I was forty-six when I left the big city for the Big Easy. They say New Orleans is like a woman, beautiful, deceitful, and deadly. All I know is, I had to leave Los Angeles on the run and The Crescent City beckoned like a broad on her back. In the sequel to Femme Noir, Nora Delaney has returned to her job as a college basketball coach in Los Angeles. When she beats up a rival coach on national television, she is fired and flees to a tiny town outside New Orleans to take refuge with her cousin Ellis Delaney and his wife. Working at Ellis’ pawn shop, Nora meets Cleo Sweetleaf, who becomes a mentor and a second father. While Nora takes stock of her life, her everlasting hunger for strange women causes trouble from sunup to sundown. When Cleo is murdered, Nora, spurred on by revenge, is drawn into solving the crime. But after being beaten and left bleeding in an alley, Nora might not solve the mystery alive.
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I was forty-six when I left the big city for the Big Easy. They say New Orleans is like a woman, beautiful, deceitful, and deadly. All I know is, I had to leave Los Angeles on the run and The Crescent City beckoned like a broad on her back. In the sequel to Femme Noir, Nora Delaney has returned to her job as a college basketball coach in Los Angeles. When she beats up a rival coach on national television, she is fired and flees to a tiny town outside New Orleans to take refuge with her cousin Ellis Delaney and his wife. Working at Ellis’ pawn shop, Nora meets Cleo Sweetleaf, who becomes a mentor and a second father. While Nora takes stock of her life, her everlasting hunger for strange women causes trouble from sunup to sundown. When Cleo is murdered, Nora, spurred on by revenge, is drawn into solving the crime. But after being beaten and left bleeding in an alley, Nora might not solve the mystery alive.