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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The essays in this volume were all written by David Kaplan in conjunction with the Provincetown Tennessee Williams Theater Festival, of which he is the curator and a co-founder. They are organized in two sections. The first section consists of ten essays written for each year of the Provincetown Festival, most included in the Festival catalogue for the year indicated. Those essays focus on each year’s thematic selection of Williams plays and other dance, music, and theater events as well as some aspect of Williams plays not always obvious in the text but essential to understanding the plays in production. The second section includes seven occasional essays, written for productions of Williams plays associated with the Festival. All the essays relate, in one way or another, to the story of what happened to the playwright during the last twenty years of his life and how his reputation is evolving since his death.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The essays in this volume were all written by David Kaplan in conjunction with the Provincetown Tennessee Williams Theater Festival, of which he is the curator and a co-founder. They are organized in two sections. The first section consists of ten essays written for each year of the Provincetown Festival, most included in the Festival catalogue for the year indicated. Those essays focus on each year’s thematic selection of Williams plays and other dance, music, and theater events as well as some aspect of Williams plays not always obvious in the text but essential to understanding the plays in production. The second section includes seven occasional essays, written for productions of Williams plays associated with the Festival. All the essays relate, in one way or another, to the story of what happened to the playwright during the last twenty years of his life and how his reputation is evolving since his death.