An indistinct recollection of the very pretty little tale, called The Bellows-Mender, suggested the plot of this Drama. The incidents are, however, greatly altered from those in the tale, and the characters entirely re-cast. The play itself was composed with a twofold object. In the first place, sympathizing with the enterprise of Mr. Macready, as Manager of Covent Garden, and believing that many of the higher interests of the Drama were involved in the success or failure of an enterprise equally hazardous and disinterested, I felt, if I may so presume to express myself, something of the Brotherhood of Art; and it was only for Mr. Macready to think it possible that I might serve him in order to induce me to make the attempt. Secondly, in that attempt I was mainly anxious to see whether or not, after the comparative failure on the stage of The Duchess de la Valliere, certain critics had truly declared that it was not in my power to attain the art of dramatic construction and theatrical effect. The authorship of the play was neither avowed nor suspected until the play had established itself in public favor. The announcement of my name was the signal for attacks, chiefly political, to which it is now needless to refer…– Edward George Bulwer-Lytton