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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Have you ever found yourself humming a favourite childhood hymn, only to realise you could no longer embrace its message? In What a Friend They Had in Jesus, Harry Cook explores how hymns reflect the religious beliefs of their times. He revisits the texts of popular hymns, posing such questions as: How true are they to the biblical texts that seem to have inspired them? What aspects of nineteenth- and twentieth-century piety have persisted into the twenty-first century through the singing of those hymns? And, how does one manage the conflict between the emotional appeal and the theological content of such hymns?
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Have you ever found yourself humming a favourite childhood hymn, only to realise you could no longer embrace its message? In What a Friend They Had in Jesus, Harry Cook explores how hymns reflect the religious beliefs of their times. He revisits the texts of popular hymns, posing such questions as: How true are they to the biblical texts that seem to have inspired them? What aspects of nineteenth- and twentieth-century piety have persisted into the twenty-first century through the singing of those hymns? And, how does one manage the conflict between the emotional appeal and the theological content of such hymns?