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In this new edition of London, including previously unpublished photographs and visual references, Sergio Larrain presents a powerful portrait of a city on the brink of a new era. In the winter of 1958, Sergio Larrain traveled to London. He spent just a few months there, photographing subjects that interested him and embracing the shadows of the city. In the cold and damp, his images captured a tangible darkness in which he could materialize that world of phantoms. A few years later, he joined Magnum Photos and set off around the world, before retiring to the Chilean countryside and leaving photography behind.
The book also features a text by the late Chilean writer Roberto Bolano–written in 1999 specifically to accompany these images–as well as a new essay by Agnes Sire, artistic director of Fondation Henri Cartier-Bresson, detailing Larrain’s stay in London.
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In this new edition of London, including previously unpublished photographs and visual references, Sergio Larrain presents a powerful portrait of a city on the brink of a new era. In the winter of 1958, Sergio Larrain traveled to London. He spent just a few months there, photographing subjects that interested him and embracing the shadows of the city. In the cold and damp, his images captured a tangible darkness in which he could materialize that world of phantoms. A few years later, he joined Magnum Photos and set off around the world, before retiring to the Chilean countryside and leaving photography behind.
The book also features a text by the late Chilean writer Roberto Bolano–written in 1999 specifically to accompany these images–as well as a new essay by Agnes Sire, artistic director of Fondation Henri Cartier-Bresson, detailing Larrain’s stay in London.