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Winner of the Vassar Miller Prize in Poetry, 2002.
In these dramatic poems, the agon pits ideas against the lurch and drift of bodies. Both are necessary, as the hand is necessary to write the poem, and both are reconciled here by a sensitivity to the pleasures of melodic form.
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Winner of the Vassar Miller Prize in Poetry, 2002.
In these dramatic poems, the agon pits ideas against the lurch and drift of bodies. Both are necessary, as the hand is necessary to write the poem, and both are reconciled here by a sensitivity to the pleasures of melodic form.