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This is a comprehensive guide to the writing career of the author of
Angels in America . Understanding Tony Kushner
surveys the acclaimed writings of the author of the Pulitzer Prize - winning drama
Angels in America
and coauthor of the Academy Award-nominated screenplay for the film
Munich . Viewing Kushner as a sociopolitical dramatist in the tradition of Henrik Ibsen, George Bernard Shaw, and Bertolt Brecht, James Fisher guides readers through Kushner’s influences and creations to map the importance of the writer’s body of work in expanding the postmodern literary and cultural landscapes. After grounding his discussions in Kushner’s early plays,
A Bright Room Called Day
and
Hydriotaphia , or
The Death of Dr. Brown , Fisher engages with the two plays of
Angels in America
to identify the major themes to be revisited in subsequent works. Fisher reads the depiction of the clash of values in the mid-1980s in Angels as Kushner’s placement of humanity’s fate at the nexus of divergent views on morality, politics, religion, history, gender, and sexuality, views that complicate individual and national identity and beg the overarching question, is change to be embraced or challenged? Fisher concludes with an exploration of how Kushner moves his themes from stage to screen in Munich and the forthcoming film Lincoln, both directed by Steven Spielberg.
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This is a comprehensive guide to the writing career of the author of
Angels in America . Understanding Tony Kushner
surveys the acclaimed writings of the author of the Pulitzer Prize - winning drama
Angels in America
and coauthor of the Academy Award-nominated screenplay for the film
Munich . Viewing Kushner as a sociopolitical dramatist in the tradition of Henrik Ibsen, George Bernard Shaw, and Bertolt Brecht, James Fisher guides readers through Kushner’s influences and creations to map the importance of the writer’s body of work in expanding the postmodern literary and cultural landscapes. After grounding his discussions in Kushner’s early plays,
A Bright Room Called Day
and
Hydriotaphia , or
The Death of Dr. Brown , Fisher engages with the two plays of
Angels in America
to identify the major themes to be revisited in subsequent works. Fisher reads the depiction of the clash of values in the mid-1980s in Angels as Kushner’s placement of humanity’s fate at the nexus of divergent views on morality, politics, religion, history, gender, and sexuality, views that complicate individual and national identity and beg the overarching question, is change to be embraced or challenged? Fisher concludes with an exploration of how Kushner moves his themes from stage to screen in Munich and the forthcoming film Lincoln, both directed by Steven Spielberg.