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Carrer Marsala, which won prizes from the City of Barcelona and the Generalitat de Catalunya neither of which Bau bothered to accept is a relentless monologue delivered by a paranoid hypochondriac obsessed with dental hygiene, sex, and his own squalid rooms in Barcelona. In The Old Man, the narrator observes a strange building where a decrepit prisoner is ritually beaten by a policeman once a week. The Warden details the narrator ‘s own captivity, and his relationship with the woman who keeps him prisoner. In Martha Tennent ’s haunting translation, reminiscent of a Mediterranean Beckett or Thomas Bernhard, Miquel Bau ’s work is a pungent reminder of the ways the world fails its prophets and pariahs.
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Carrer Marsala, which won prizes from the City of Barcelona and the Generalitat de Catalunya neither of which Bau bothered to accept is a relentless monologue delivered by a paranoid hypochondriac obsessed with dental hygiene, sex, and his own squalid rooms in Barcelona. In The Old Man, the narrator observes a strange building where a decrepit prisoner is ritually beaten by a policeman once a week. The Warden details the narrator ‘s own captivity, and his relationship with the woman who keeps him prisoner. In Martha Tennent ’s haunting translation, reminiscent of a Mediterranean Beckett or Thomas Bernhard, Miquel Bau ’s work is a pungent reminder of the ways the world fails its prophets and pariahs.