The Review of Contemporary Fiction: William H.Gass, Manurl Puig

Arthur M. Saltzman, Where Words Dwell Adored: An Introduction to William Gass /Arthur M. Saltzman, Language and Conscience: An Interview with William Gass /William H. Gass, Simplicities /William H. Gass, Sweets /Arthur M. Saltzman, William H. Gass: Selected Correspondence /Philip Stevick, William Gass and the Real World /Lucy Wilson, Alternatives to Transcendence in William Gass’s Short Fiction /Kevin J. H. Dettmar, ‘yung and easily freudened’: William Gass’s The Pedersen Kid’ /Melanie Eckford-Prossor, Layered Apparitions: Philosophy and ‘The Pedersen Kid’ /Richard J. Schneider, Rejecting the Stone: William Gass and Emersonian Transcendence /Reginald Dyck, William Gass: A ‘Purified Modernist’ in a Postmodern World /Ilan Stavans, Kafka, Cortazar, Gass /Heide Ziegler, On Translating ‘The Sunday Drive’ /Arthur M. Saltzman, A William H. Gass Checklist /Ilan Stavans, Good-Bye to M. P.
/Jorgelina Corbatta, Brief Encounter: An Interview with Manuel Puig /Manuel Puig, Vivaldi: A Screenplay /Guillermo Cabrera Infante, In a Pampas of Dreams /Juan Goytisolo, On Being Morally Correct /Suzanne Jill Levine, Manuel Puig Exits Laughing /Pamela Bacarisse, Manuel Puig and the Uses of Culture /Shari A. Zimmerman, Manuel Puig and the Critique of Authority /Lucille Kerr, In the Presence of the Author /Roberto Echavarren, Manuel Puig: Contra Borges /Brian Conniff, The Learned Executioner and the Chick from Suburbia: Kiss of the Spider Woman as Prison Literature /Jorgelina Corbatta, A Glimpse of the Fantastic in Puig /Steven DuPouy, Brazilian Nights, Argentine Voices: Tropical Night Falling /Elias Miguel Munoz, Show and Tell: Notes on Puig’s Theater /Books by Manuel Puig/Paul West, Deep-Sixed into the Atlantic