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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
From the 1860s through the 1880s, local photographer Henry Bailey captured all aspects of Victorian life after the Civil War in Maine’s capital city. Bailey’s rare stereoscopic images depict downtown Water Street, the industrial north end, Capitol Park, the Togus veterans home, and numerous public buildings, churches, and residences. Through these historic images, Victorian Augusta presents a view of the world through one man’s lens. Most of the vintage photographs in this volume have come from the collection of the Maine Historic Preservation Commission, which has acquired many Bailey stereographs once owned by the photographer and his family.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
From the 1860s through the 1880s, local photographer Henry Bailey captured all aspects of Victorian life after the Civil War in Maine’s capital city. Bailey’s rare stereoscopic images depict downtown Water Street, the industrial north end, Capitol Park, the Togus veterans home, and numerous public buildings, churches, and residences. Through these historic images, Victorian Augusta presents a view of the world through one man’s lens. Most of the vintage photographs in this volume have come from the collection of the Maine Historic Preservation Commission, which has acquired many Bailey stereographs once owned by the photographer and his family.