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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
One critic of the Merry Wives of Windsor argues that "no longer does Shakespeare endow the fat knight [Falstaff] with the nimble wit that enabled him in the earlier plays to extricate himself from every embarrassing situation" (Wright, xii). The result is a "fast-paced farce" (Green, Introduction, lxiv) which "bears traits of Italian comedy" (Green, lxviii). Bate agrees that "the play is Shakespeare's nearest approach to farce or sitcom" (Introduction, ix).
There are obvious oversights in the play which may argue for its hasty composition at the behest of Queen Elizabeth. However, as Green writes, "Surely Shakespeare deserves some forgiveness for the abundance of loose ends in the play" lxxvi). Certainly no Midsummer Night's Dream, the Merry Wives of Windsor does propound a pleasant evening at the theatre.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
One critic of the Merry Wives of Windsor argues that "no longer does Shakespeare endow the fat knight [Falstaff] with the nimble wit that enabled him in the earlier plays to extricate himself from every embarrassing situation" (Wright, xii). The result is a "fast-paced farce" (Green, Introduction, lxiv) which "bears traits of Italian comedy" (Green, lxviii). Bate agrees that "the play is Shakespeare's nearest approach to farce or sitcom" (Introduction, ix).
There are obvious oversights in the play which may argue for its hasty composition at the behest of Queen Elizabeth. However, as Green writes, "Surely Shakespeare deserves some forgiveness for the abundance of loose ends in the play" lxxvi). Certainly no Midsummer Night's Dream, the Merry Wives of Windsor does propound a pleasant evening at the theatre.