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Lowell Duckert shows that when playwrights and travel writers physically interacted with rivers, glaciers, monsoons, and swamps, they composed hydrographies, or bodily and textual assemblages of human and nonhuman things that dissolved notions of human autonomy and its singular narrativity. Duckert concludes by investigating waterscapes in peril today and outlining what we can learn from early moderns’ eco-ontological lessons.
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Lowell Duckert shows that when playwrights and travel writers physically interacted with rivers, glaciers, monsoons, and swamps, they composed hydrographies, or bodily and textual assemblages of human and nonhuman things that dissolved notions of human autonomy and its singular narrativity. Duckert concludes by investigating waterscapes in peril today and outlining what we can learn from early moderns’ eco-ontological lessons.