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Frances Guerin argues that painters select grey to respond to a key question of modernist art: What is painting? Presenting an impressive range of canonical paintings across centuries, this book is a treatise on colour that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the colour grey.
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Frances Guerin argues that painters select grey to respond to a key question of modernist art: What is painting? Presenting an impressive range of canonical paintings across centuries, this book is a treatise on colour that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the colour grey.