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Positively, Big Mama is a memoir packed with pain, suffering, guilt, and shame, written from the delicate perspective of self-pity and offbeat humor. The words are filled with crazy fear, eccentric parents, raging neurosis, three husbands, three forgotten children, hypochondria, agoraphobia, and the one constant: a predictable male animal. The journey chronicles a descent into a deep abyss that proves finite allowing Positively, Big Mama to become an inspirational piece, whose only omniscient character is God Himself.
Not your typical coming of age piece, Big Mama’s transition occurs at midlife and beyond.
Positively, Big Mama captures the interest and hearts of both sexes. Filled with secrets, regrets, and ill-fated choices, Big Mama’s quest is one of forgiveness and redemption. The true story is written from the perspective of a child, adolescent, and immature adult. Maturity does not rear its head in the storyline until Big Mama’s hair begins to turn silver.
Upon a marketing analysis, Positively, Big Mama has a rebound effect on a small core of men. The claim is supported by the words of Mae West, Women with pasts interest men because they hope history will repeat itself. Oscar Wilde adds to West’s observation with his satirical statement, I like men who have no future and women who have a past.
With the Greater New Orleans area and its regional favorites as a backdrop to the story, the setting and content of Positively, Big Mama has a wide, local and national appeal.
