In a very different direction, wanting to measure a cherished love between two people, I chose a setting, in 'Death Is Blind', where Death is an equal protagonist. For the action of those people who are at their best in observing others as much inferior to them in quality of thoughtfulness, I chose the interfacing of a self satisfied, 'good' person up against an airy, somewhat confused seeker of a spiritual connection to reality, when it is just the opposite that lies at the base of each of their souls in 'The Long Fall From Grace'. In the play, 'The Last Great Fantasy', I would imagine that our highest wishes for ourselves could still come about when we no longer have chance to make an impact upon humanity and yet still wishing to remain determined to make our mark before we are to disappear forever.