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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The human experience is an intimate, tough, and, at times, hilarious conversation with what is familiar and what is mystery. Poetry at its best turns this conversation into art and teaches by example how to employ language creatively and courageously–even coyly–in exploring the full range of human response to whatever life may deliver. Certainly the biblical Psalms set the highest of standards in this regard. In Opening King David, Davis takes aim at making contemporary poems in conversation with the Psalms; his personal, cultural, and natural surroundings; and the wonder and mess of his own soul. As a painter with all colors at his disposal, Davis writes with the full spectrum of his available vocabulary, sometimes reaching for the glorious ineffable, at other times bluntly telling it like it–darkly–is. Neither devotional nor inspirational nor religious, these human poems take God seriously and honor our common struggle toward what Saint Paul calls the measure of the stature of the fullness of Christ.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The human experience is an intimate, tough, and, at times, hilarious conversation with what is familiar and what is mystery. Poetry at its best turns this conversation into art and teaches by example how to employ language creatively and courageously–even coyly–in exploring the full range of human response to whatever life may deliver. Certainly the biblical Psalms set the highest of standards in this regard. In Opening King David, Davis takes aim at making contemporary poems in conversation with the Psalms; his personal, cultural, and natural surroundings; and the wonder and mess of his own soul. As a painter with all colors at his disposal, Davis writes with the full spectrum of his available vocabulary, sometimes reaching for the glorious ineffable, at other times bluntly telling it like it–darkly–is. Neither devotional nor inspirational nor religious, these human poems take God seriously and honor our common struggle toward what Saint Paul calls the measure of the stature of the fullness of Christ.