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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Did filmmakers Orson Welles and Alfred Hitchcock like each other, hate each other, or did a rivalry even exist? Both men arrived in Hollywood in mid 1939, but from there, their careers took many twists and turns. Always, seemingly steering back towards each other, either in theme or in content. After hundreds of hours of comparing the two men’s films, as well as conversations with Gary Graver (Orson Welles cameraman), author Chris Lambert feels he has arrived at theories that answer the above questions.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Did filmmakers Orson Welles and Alfred Hitchcock like each other, hate each other, or did a rivalry even exist? Both men arrived in Hollywood in mid 1939, but from there, their careers took many twists and turns. Always, seemingly steering back towards each other, either in theme or in content. After hundreds of hours of comparing the two men’s films, as well as conversations with Gary Graver (Orson Welles cameraman), author Chris Lambert feels he has arrived at theories that answer the above questions.