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In this special issue, contributors explore music’s place in French politics, gender formation, social identity, and cultural exchange, illustrating ways that music can and should be integrated into French and Francophone studies more broadly. The authors define music in the most inclusive way to cover art music, religious music, and popular music, as well as its producers, interlocutors, and audiences.
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In this special issue, contributors explore music’s place in French politics, gender formation, social identity, and cultural exchange, illustrating ways that music can and should be integrated into French and Francophone studies more broadly. The authors define music in the most inclusive way to cover art music, religious music, and popular music, as well as its producers, interlocutors, and audiences.