Premiering on Fox in 2009, Joss Whedon’s Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset. A vast global corporation operates establishments (Dollhouses) that program individuals with temporary personalities and abilities. The protagonist assumes a different identity each episode-her defining characteristic a lack of individuality. Through this obtuse premise, the show interrogated free will, morality and sex, and in the process its own construction of fantasy and its audience. A decade on, the world is-for better or worse-catching up with Dollhouse’s provocative vision. This collection of new essays examines the series’ relevance in the context of today’s social and political issues and media landscape.