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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book focuses on the distinctive role that artists have played in detective fiction-as detectives, as villains and victims, and as bystanders. With a few significant exceptions, literary detectives have always identified themselves as essentially the deconstructors of the artful crimes of others. They may use various methods-ratiocinative, scientific, or hard-boiled-but they always unravel the threads that the villains have woven into deceptive covers for their crimes.
The detective does, in the end, produce a work of art: a narrative that explains everything that needs explanation. But the detective’s moral work is often juxtaposed to the aesthetic work of the painters, poets, and writers that the detective encounters during an investigation. The author surveys this juxtaposition in works by important authors from the early development of the genre (Poe, Doyle), the golden age (Bentley, Christie, Sayers, James, et al.), and the hard-boiled era (Hammett, Chandler, Macdonald, Spicer et al.).
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book focuses on the distinctive role that artists have played in detective fiction-as detectives, as villains and victims, and as bystanders. With a few significant exceptions, literary detectives have always identified themselves as essentially the deconstructors of the artful crimes of others. They may use various methods-ratiocinative, scientific, or hard-boiled-but they always unravel the threads that the villains have woven into deceptive covers for their crimes.
The detective does, in the end, produce a work of art: a narrative that explains everything that needs explanation. But the detective’s moral work is often juxtaposed to the aesthetic work of the painters, poets, and writers that the detective encounters during an investigation. The author surveys this juxtaposition in works by important authors from the early development of the genre (Poe, Doyle), the golden age (Bentley, Christie, Sayers, James, et al.), and the hard-boiled era (Hammett, Chandler, Macdonald, Spicer et al.).