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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Contemporary American horror literature for children and young adults has two bold messages for its readers, messages which are often overlooked in analyses of this genre; adults are untrustworthy, unreliable, and often dangerous, and the monster always wins, as he must in order to market the sequel.
Studying this message in the young adult horror series and in the religious horror series for children (Left Behind: the Kids) for the first time, and tracing the unstoppable monster to Seuss’s Cat in the Hat, this book aims to shed new light on the problematic message produced by the combination of marketing and books for contemporary American young readers.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Contemporary American horror literature for children and young adults has two bold messages for its readers, messages which are often overlooked in analyses of this genre; adults are untrustworthy, unreliable, and often dangerous, and the monster always wins, as he must in order to market the sequel.
Studying this message in the young adult horror series and in the religious horror series for children (Left Behind: the Kids) for the first time, and tracing the unstoppable monster to Seuss’s Cat in the Hat, this book aims to shed new light on the problematic message produced by the combination of marketing and books for contemporary American young readers.