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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Lauded by critics yet largely unappreciated by fans of horror and
weird fiction,
T.E.D. Klein is considered one of the great horror writers, despite his scant body of work. His prose blends the mundane and the supernatural, conjuring the monstrous and the malign with accessible but charged discourse that breaks with the formulaic entries in the genre. Exploring a range of topics from religious fundamentalism and Right Wing extremism to fashionable pessimism and the rise of
digital humanities,
the author argues that Klein’s work is a prime example of what he terms
critical horror,
a distinct subgenre that entertains while questioning individual and cultural complacency.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Lauded by critics yet largely unappreciated by fans of horror and
weird fiction,
T.E.D. Klein is considered one of the great horror writers, despite his scant body of work. His prose blends the mundane and the supernatural, conjuring the monstrous and the malign with accessible but charged discourse that breaks with the formulaic entries in the genre. Exploring a range of topics from religious fundamentalism and Right Wing extremism to fashionable pessimism and the rise of
digital humanities,
the author argues that Klein’s work is a prime example of what he terms
critical horror,
a distinct subgenre that entertains while questioning individual and cultural complacency.