Become a Readings Member to make your shopping experience even easier. Sign in or sign up for free!

Become a Readings Member. Sign in or sign up for free!

Hello Readings Member! Go to the member centre to view your orders, change your details, or view your lists, or sign out.

Hello Readings Member! Go to the member centre or sign out.

The Art and Inventions of Max Fleischer: American Animation Pioneer
Paperback

The Art and Inventions of Max Fleischer: American Animation Pioneer

$164.99
Sign in or become a Readings Member to add this title to your wishlist.

The history of animated cartoons has been dominated by Walt Disney, giving the impression that he perfected the medium. In reality, it was the work of several pioneers. Max Fleischer-inventor of the rotoscope technique of tracing animation frame by frame over live-action footage-was one of the most prominent.

By the 1930s, Fleischer and Disney were the leading producers of animated films but took opposite approaches. Fleischer’s work showed elements of German Expressionism and organic progression, in contrast to Disney’s naturalism. As a result, Fleischer’s cartoons were rough rather than refined, commercial rather than artistic-yet with an artistry of their own. Both animators sought to create images and action that violated physical laws, supporting Fleischer’s maxim:
If it can be done in real life, it isn’t animation.
This book covers his life and work, with rare illustrations detailing the technical aspects of his craft.

Read More
In Shop
Out of stock
Shipping & Delivery

$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout

MORE INFO
Format
Paperback
Publisher
McFarland & Co Inc
Country
United States
Date
8 January 2017
Pages
320
ISBN
9781476663678

The history of animated cartoons has been dominated by Walt Disney, giving the impression that he perfected the medium. In reality, it was the work of several pioneers. Max Fleischer-inventor of the rotoscope technique of tracing animation frame by frame over live-action footage-was one of the most prominent.

By the 1930s, Fleischer and Disney were the leading producers of animated films but took opposite approaches. Fleischer’s work showed elements of German Expressionism and organic progression, in contrast to Disney’s naturalism. As a result, Fleischer’s cartoons were rough rather than refined, commercial rather than artistic-yet with an artistry of their own. Both animators sought to create images and action that violated physical laws, supporting Fleischer’s maxim:
If it can be done in real life, it isn’t animation.
This book covers his life and work, with rare illustrations detailing the technical aspects of his craft.

Read More
Format
Paperback
Publisher
McFarland & Co Inc
Country
United States
Date
8 January 2017
Pages
320
ISBN
9781476663678