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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Winifred Black worked in journalism from 1888 to 1936, often writing under the pseudonym Annie Laurie. Her work appeared in the Hearst papers - especially the San Francisco Examiner - and in fifty additional newspapers weekly through syndication. Black wrote 10,000 short pieces, as well as three books, a nonfiction oeuvre that combined quasi-autobiographical details with characters and scenes to provide cultural analysis for a nationwide audience. She wrote about the realities facing modern women - their work, their marriages and divorces, the violence they endured, their need for independence.
Contemporary praise for Black named her
the world’s most famous feature writer
and
one of the world’s most successful reporters,
while her critics affixed the pejorative labels
stunt girl
and
sob sister.
This study covers her influential career and gives the first serious attention to her journalism and nonfiction.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Winifred Black worked in journalism from 1888 to 1936, often writing under the pseudonym Annie Laurie. Her work appeared in the Hearst papers - especially the San Francisco Examiner - and in fifty additional newspapers weekly through syndication. Black wrote 10,000 short pieces, as well as three books, a nonfiction oeuvre that combined quasi-autobiographical details with characters and scenes to provide cultural analysis for a nationwide audience. She wrote about the realities facing modern women - their work, their marriages and divorces, the violence they endured, their need for independence.
Contemporary praise for Black named her
the world’s most famous feature writer
and
one of the world’s most successful reporters,
while her critics affixed the pejorative labels
stunt girl
and
sob sister.
This study covers her influential career and gives the first serious attention to her journalism and nonfiction.