Become a Readings Member to make your shopping experience even easier. Sign in or sign up for free!

Become a Readings Member. Sign in or sign up for free!

Hello Readings Member! Go to the member centre to view your orders, change your details, or view your lists, or sign out.

Hello Readings Member! Go to the member centre or sign out.

Close-Up: Great Cinematic Performances Volume 2: International
Hardback

Close-Up: Great Cinematic Performances Volume 2: International

$218.99
Sign in or become a Readings Member to add this title to your wishlist.

Analyses what makes an acting performance excellent, through a range of examples from world cinemaWhat actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium’s specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director’s style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshiro Mifune, and Choi Min Sik, amongst many others.ContributorsUlka Anjaria, Brandeis UniversityJanet Bergstrom, UCLAHye Seung Chung, Colorado State UniversityCorey K. Creekmur, University of IowaAdrian Danks, RMIT University, MelbourneNick Davis, Northwestern UniversityDavid Desser, University of IllinoisDavid Scott Diffrient, Colorado State UniversityVictoria Duckett, Deakin University, MelbourneJason Jacobs, University of QueenslandAlexia Kannas, RMIT University, MelbourneMarcia Landy, University of PittsburghGina Marchetti, Independent Scholar Douglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasJerry Mosher, California State University, Long BeachKarla Oeler, Stanford UniversityR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University Sergio Rigoletto, University of OregonKyle Stevens, Appalachian State UniversityAaron Taylor, University of LethbridgeAlison Taylor, Bond University, QueenslandDolores Tierney, University of SussexNoah Tsika, Queens College, City University of New YorkTimotheus Vermeulen, University of Oslo

Read More
In Shop
Out of stock
Shipping & Delivery

$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout

MORE INFO
Format
Hardback
Publisher
Edinburgh University Press
Country
United Kingdom
Date
31 January 2018
Pages
328
ISBN
9781474417037

Analyses what makes an acting performance excellent, through a range of examples from world cinemaWhat actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium’s specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director’s style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshiro Mifune, and Choi Min Sik, amongst many others.ContributorsUlka Anjaria, Brandeis UniversityJanet Bergstrom, UCLAHye Seung Chung, Colorado State UniversityCorey K. Creekmur, University of IowaAdrian Danks, RMIT University, MelbourneNick Davis, Northwestern UniversityDavid Desser, University of IllinoisDavid Scott Diffrient, Colorado State UniversityVictoria Duckett, Deakin University, MelbourneJason Jacobs, University of QueenslandAlexia Kannas, RMIT University, MelbourneMarcia Landy, University of PittsburghGina Marchetti, Independent Scholar Douglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasJerry Mosher, California State University, Long BeachKarla Oeler, Stanford UniversityR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University Sergio Rigoletto, University of OregonKyle Stevens, Appalachian State UniversityAaron Taylor, University of LethbridgeAlison Taylor, Bond University, QueenslandDolores Tierney, University of SussexNoah Tsika, Queens College, City University of New YorkTimotheus Vermeulen, University of Oslo

Read More
Format
Hardback
Publisher
Edinburgh University Press
Country
United Kingdom
Date
31 January 2018
Pages
328
ISBN
9781474417037