Bergson and the Art of Immanence: Painting, Photography, Film

Immanence is a theory of divine presence, in which the divine is found in the material world, not outside of it. This new collection brings the major 20th-century French philosopher Henri Bergson’s work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson’s work and influence in a wide historical context and applies a rigorous conceptual framework to contemporary art theory and practice.