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Winner of the 1999 Whitbread First Novel Award
‘Beautiful and brilliant’ Tony Parsons
Estate agent Frankie Blue is known on his home turf - White City, Shepherd’s Bush - as ‘Frank the Fib’. He’s a liar - but one who always tries to tell the truth. Frankie has been friends with Diamond Tony, a hairdresser, Colin, a computer nerd, and Nodge, a cabbie, since schooldays.
Now they are thirty and trying to live the same life as they did then - drinking, girls, banter, football. Then comes Frankie’s Great Betrayal - Veronica, and marriage, his ticket to a bigger, better grown-up world. From the moment he tells his mates, the whole patchwork of their friendships begins to collapse - revealing the sad, shocking but often hilarious truths that lie underneath.
‘Caustically funny and sometimes very affecting … with sardonic wit and a kind of tough tenderness, Lott portrays people growing up, growing apart or growing together’ Sunday Times
‘Mordantly funny … Observations are vivid, the dialogue crisp and, crucially, the characters are sympathetic’ Tatler
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Winner of the 1999 Whitbread First Novel Award
‘Beautiful and brilliant’ Tony Parsons
Estate agent Frankie Blue is known on his home turf - White City, Shepherd’s Bush - as ‘Frank the Fib’. He’s a liar - but one who always tries to tell the truth. Frankie has been friends with Diamond Tony, a hairdresser, Colin, a computer nerd, and Nodge, a cabbie, since schooldays.
Now they are thirty and trying to live the same life as they did then - drinking, girls, banter, football. Then comes Frankie’s Great Betrayal - Veronica, and marriage, his ticket to a bigger, better grown-up world. From the moment he tells his mates, the whole patchwork of their friendships begins to collapse - revealing the sad, shocking but often hilarious truths that lie underneath.
‘Caustically funny and sometimes very affecting … with sardonic wit and a kind of tough tenderness, Lott portrays people growing up, growing apart or growing together’ Sunday Times
‘Mordantly funny … Observations are vivid, the dialogue crisp and, crucially, the characters are sympathetic’ Tatler