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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
'A Taoist Requiem' is a moving meditation on life, death, and spirituality from an Eastern perspective. Scored for a diverse ensemble including piano, harp, woodwinds, brass, strings, and wordless choir/soloists, the Requiem journeys through a challenging psychic landscape familiar to us all. My aim when composing this work was to stay true to the spirit of a traditional requiem while invoking the otherworldliness of Eastern mysticism. The deliberate use of tonality albeit through the lens of modal scales hopefully provides a sense of familiarity and structure. At the same time, the score employs a variety of challenging textural contrasts, from sparse and intimate passages to dense and layered sections, and calls for expert vocal technique in the service of the emotions.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
'A Taoist Requiem' is a moving meditation on life, death, and spirituality from an Eastern perspective. Scored for a diverse ensemble including piano, harp, woodwinds, brass, strings, and wordless choir/soloists, the Requiem journeys through a challenging psychic landscape familiar to us all. My aim when composing this work was to stay true to the spirit of a traditional requiem while invoking the otherworldliness of Eastern mysticism. The deliberate use of tonality albeit through the lens of modal scales hopefully provides a sense of familiarity and structure. At the same time, the score employs a variety of challenging textural contrasts, from sparse and intimate passages to dense and layered sections, and calls for expert vocal technique in the service of the emotions.