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In celebration of CTR’s 150th anniversary issue, Views and Reviews editors Natalie Alvarez and Jenn Stephenson stage a coup and take over the entire issue, which they devote entirely to views in the form of manifestos. Leading theatre artists and provocateurs share their manifestos on the state of theatre in Canada. Their rants and raves, visions and vituperations evoke the halcyon days of the manifesto form as the vehicle of choice for avant-garde auteurs to express their views on the future of the theatre and how the artist ought to proceed. Through creative interrogations of the manifesto form itself and anti-manifestos written in resistance to its formal dictates, contributors from coast to coast enjoin readers to consider the stakes in Canadian theatre today.
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In celebration of CTR’s 150th anniversary issue, Views and Reviews editors Natalie Alvarez and Jenn Stephenson stage a coup and take over the entire issue, which they devote entirely to views in the form of manifestos. Leading theatre artists and provocateurs share their manifestos on the state of theatre in Canada. Their rants and raves, visions and vituperations evoke the halcyon days of the manifesto form as the vehicle of choice for avant-garde auteurs to express their views on the future of the theatre and how the artist ought to proceed. Through creative interrogations of the manifesto form itself and anti-manifestos written in resistance to its formal dictates, contributors from coast to coast enjoin readers to consider the stakes in Canadian theatre today.