Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Explores the cultural dynamics of this ancient form of Sanskrit theater.
Ku?iya??am, an ancient form of Sanskrit theater from Kerala, was traditionally performed only in temples by members of two temple assistant castes. Today, however, it has spread to other castes and to venues outside temples. It is a fantastically complex, sophisticated, layered performance, toiling at amassing and perfecting ways of materializing a world where gods, demons, and mythical heroes live, bringing the audience into these other realities. Taking an anthropological approach, Awakening a Living World on a Ku?iya??am Stage explores how Ku?iya??am uses cultural dynamics, gleaned from temple ritual and theater, to remove the distinctions between mundane reality and the mediaeval plays being performed on stage. The unique features of Ku?iya??am-makeup masks, enthralling drumming, delivering words in mudra gestures, a shimmering lamp, male and female actors-all intertwine to animate stories from the great Indian eposes. Analyzing the cultural dynamics at work in Ku?iya??am foregrounds a symbolic anthropology in which representation and symbols are shunned, while endless repetitions fill the stage with reverberating somatic intensities of profound depth. Thus, a new kind of living reality emerges that includes the protagonists of the play-gods, demons, humans, animals, and objects-together with the artist, the audience, and beyond.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Explores the cultural dynamics of this ancient form of Sanskrit theater.
Ku?iya??am, an ancient form of Sanskrit theater from Kerala, was traditionally performed only in temples by members of two temple assistant castes. Today, however, it has spread to other castes and to venues outside temples. It is a fantastically complex, sophisticated, layered performance, toiling at amassing and perfecting ways of materializing a world where gods, demons, and mythical heroes live, bringing the audience into these other realities. Taking an anthropological approach, Awakening a Living World on a Ku?iya??am Stage explores how Ku?iya??am uses cultural dynamics, gleaned from temple ritual and theater, to remove the distinctions between mundane reality and the mediaeval plays being performed on stage. The unique features of Ku?iya??am-makeup masks, enthralling drumming, delivering words in mudra gestures, a shimmering lamp, male and female actors-all intertwine to animate stories from the great Indian eposes. Analyzing the cultural dynamics at work in Ku?iya??am foregrounds a symbolic anthropology in which representation and symbols are shunned, while endless repetitions fill the stage with reverberating somatic intensities of profound depth. Thus, a new kind of living reality emerges that includes the protagonists of the play-gods, demons, humans, animals, and objects-together with the artist, the audience, and beyond.