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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In Star Trek and Star Wars: The Enlightenment versus the Anti-Enlightenment, George A. Gonzalez shows that these two behemoths of popular culture put the Enlightenment and anti-Enlightenment before the viewing public. Star Trek is arguably the popular culture vehicle most reflective of the Enlightenment: a belief in political and social progress, leading to a society that is modern, classless, and totally free of gender and ethnic biases. The Star Wars franchise, meanwhile, is seemingly the artistic embodiment of the anti-Enlightenment: societal progress (to the extent that it occurs) is solely a function of technology and not a perfecting of justice and fairness. Gonzalez shows that this reflects the pessimism and demoralization underlying the Trump phenomenon and the rise of anti-democratic, virulent nationalism.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In Star Trek and Star Wars: The Enlightenment versus the Anti-Enlightenment, George A. Gonzalez shows that these two behemoths of popular culture put the Enlightenment and anti-Enlightenment before the viewing public. Star Trek is arguably the popular culture vehicle most reflective of the Enlightenment: a belief in political and social progress, leading to a society that is modern, classless, and totally free of gender and ethnic biases. The Star Wars franchise, meanwhile, is seemingly the artistic embodiment of the anti-Enlightenment: societal progress (to the extent that it occurs) is solely a function of technology and not a perfecting of justice and fairness. Gonzalez shows that this reflects the pessimism and demoralization underlying the Trump phenomenon and the rise of anti-democratic, virulent nationalism.