Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In 1991, Boyz N the Hood made history as an important film text and the impetus for a critical national conversation about American urban life in African American communities, especially for young urban black males. Boyz N the Hood: Shifting Hollywood Terrain is an interdisciplinary examination of this iconic film. Beyond the two historic Academy Award nominations for Best Screenplay and Best Director for John Singleton, the first African American male nominee and the youngest nominee ever in the category, Boyz N the Hood’s induction into the Library of Congress National Film Registry by the National Film Preservation Board, speaks to the film’s iconic and meaningful impact in film history and American culture. This interdisciplinary approach to the film provides an in-depth critical perspective of Boyz N the Hood, as the embodiment of the blues-how Boyz intimates a world beyond the symbolic world Singleton posits, its fictive stance pivots to a constituent truth in the real world. This book is as much about the filmmaker as it is about the film. It explores John Singleton’s cinematic voice and helps explicate his propensity for a type of folk elements in his work (the oral tradition and lore). In addition, the text features critical perspectives from the filmmaker himself and other central figures attached to the production, including first-hand account of the behind the scenes during production by Steve Nicoladies, Boyz’s producer, and an intimate conversation with Shelia Morgan Ward, Singleton’s chief executive/business manager and mother. The text is a critical resource guide and includes Singleton’s original screenplay and a range of critical articles and initial movie reviews.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In 1991, Boyz N the Hood made history as an important film text and the impetus for a critical national conversation about American urban life in African American communities, especially for young urban black males. Boyz N the Hood: Shifting Hollywood Terrain is an interdisciplinary examination of this iconic film. Beyond the two historic Academy Award nominations for Best Screenplay and Best Director for John Singleton, the first African American male nominee and the youngest nominee ever in the category, Boyz N the Hood’s induction into the Library of Congress National Film Registry by the National Film Preservation Board, speaks to the film’s iconic and meaningful impact in film history and American culture. This interdisciplinary approach to the film provides an in-depth critical perspective of Boyz N the Hood, as the embodiment of the blues-how Boyz intimates a world beyond the symbolic world Singleton posits, its fictive stance pivots to a constituent truth in the real world. This book is as much about the filmmaker as it is about the film. It explores John Singleton’s cinematic voice and helps explicate his propensity for a type of folk elements in his work (the oral tradition and lore). In addition, the text features critical perspectives from the filmmaker himself and other central figures attached to the production, including first-hand account of the behind the scenes during production by Steve Nicoladies, Boyz’s producer, and an intimate conversation with Shelia Morgan Ward, Singleton’s chief executive/business manager and mother. The text is a critical resource guide and includes Singleton’s original screenplay and a range of critical articles and initial movie reviews.