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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
We are made in the image and likeness of God. Bernard of Clairvaux, the versatile troubadour of Christian love, is no naive romantic. He understands that a series of moral changes must precede any exercise of this love. For him, the seat of love is the faculty of the human will (the Image). On the other hand, the uninhibited action of free choice (the Likeness) constitutes the perfection of the faculty. The Image, because of sin and consequent misery, has lost its Likeness to God. Only divine intervention, through the efficacy of grace, can restore Likeness and cleanse the blemished Image. The text is not a polemic, but rather and apologia rooted in Bernard’s personal experience. The ardour of love springs from a flourishing freedom, the direct result of a double cause: divine grace and the restored union of image and likeness. Without free choice there is nothing to be saved while without grace there is no salvation.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
We are made in the image and likeness of God. Bernard of Clairvaux, the versatile troubadour of Christian love, is no naive romantic. He understands that a series of moral changes must precede any exercise of this love. For him, the seat of love is the faculty of the human will (the Image). On the other hand, the uninhibited action of free choice (the Likeness) constitutes the perfection of the faculty. The Image, because of sin and consequent misery, has lost its Likeness to God. Only divine intervention, through the efficacy of grace, can restore Likeness and cleanse the blemished Image. The text is not a polemic, but rather and apologia rooted in Bernard’s personal experience. The ardour of love springs from a flourishing freedom, the direct result of a double cause: divine grace and the restored union of image and likeness. Without free choice there is nothing to be saved while without grace there is no salvation.