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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Contents: Introduction (Robert Hillenbrand); I. METALWORK AND TEXTILES: The Freer Canteen: Jerusalem or Jazira? (Teresa Fitzherbert); Mamluk Textiles (Maria Sardi); The Captivating Power of Textiles (Miriam Ali-de-Unzaga); II. CERAMICS: Unravelling the Enigmatic Fourteenth-Century Mamluk and Mongol Fine Wares: How to Solve the Problem (Rosalind A. Wade Haddon); Crossing Borders: Mudejar Ceramics in Paterna (Anna McSweeney); The Aesthetics of Simulation: Architectural Mimicry on Medieval Ceramic Tabourets (Margaret S. Graves); III. THE BUILT ENVIRONMENT: A Symbolic Khassakiyya: Representations of the Palace Guard in Murals and Stucco Sculpture (Melanie Gibson); The Notion of Time and the Image of Place: Reflections on Islamic Gardens (Saeid Khaghani);The Public Realm in Central Damascus: ‘Where Old and New Meet’ (Rema Haddad); IV. ARTS OF THE BOOK: The Earliest Qur'anic Scripts (Marcus Fraser); The Influence of Oral Narrating Traditions on a Frequently Illustrated Thirteenth-Century Manuscript (Filiz Adiguzel Toprak); Exile and Adventure: Hassan Massoudy and Sindbad the Sailor (Sarah Sandow).
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Contents: Introduction (Robert Hillenbrand); I. METALWORK AND TEXTILES: The Freer Canteen: Jerusalem or Jazira? (Teresa Fitzherbert); Mamluk Textiles (Maria Sardi); The Captivating Power of Textiles (Miriam Ali-de-Unzaga); II. CERAMICS: Unravelling the Enigmatic Fourteenth-Century Mamluk and Mongol Fine Wares: How to Solve the Problem (Rosalind A. Wade Haddon); Crossing Borders: Mudejar Ceramics in Paterna (Anna McSweeney); The Aesthetics of Simulation: Architectural Mimicry on Medieval Ceramic Tabourets (Margaret S. Graves); III. THE BUILT ENVIRONMENT: A Symbolic Khassakiyya: Representations of the Palace Guard in Murals and Stucco Sculpture (Melanie Gibson); The Notion of Time and the Image of Place: Reflections on Islamic Gardens (Saeid Khaghani);The Public Realm in Central Damascus: ‘Where Old and New Meet’ (Rema Haddad); IV. ARTS OF THE BOOK: The Earliest Qur'anic Scripts (Marcus Fraser); The Influence of Oral Narrating Traditions on a Frequently Illustrated Thirteenth-Century Manuscript (Filiz Adiguzel Toprak); Exile and Adventure: Hassan Massoudy and Sindbad the Sailor (Sarah Sandow).