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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book represents a move towards a detailed, accurate and archaeologically sensitive record of the sheela-na-gigs in Britain and Ireland, and establishes their study firmly within the orbit of mainstream research. Throughout, context is a central concern. Accordingly, in-depth analysis of the carvings is used to foreground the typical characteristics of a sheela-na-gig and their architectural and sculptural settings. The medieval repertoire of architectural imagery and the social and religious frameworks in which these images were produced is explored, before turning to look at the complex meanings evoked by the figures. It is argued that previous interpretations of the sheela-na-gig as a fertility figure, Celtic goddess, or image of lust have occluded the deeper significance of the image, whose ambiguity and danger is more suggestive of a herald of the sacred or otherworldly icon. This is substantiated by an exploration of the vital links between the grotesque, monstrous, ambiguous and the sacred, together with influences derived from philosophy and classical mythology, as expressed in western medieval culture.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book represents a move towards a detailed, accurate and archaeologically sensitive record of the sheela-na-gigs in Britain and Ireland, and establishes their study firmly within the orbit of mainstream research. Throughout, context is a central concern. Accordingly, in-depth analysis of the carvings is used to foreground the typical characteristics of a sheela-na-gig and their architectural and sculptural settings. The medieval repertoire of architectural imagery and the social and religious frameworks in which these images were produced is explored, before turning to look at the complex meanings evoked by the figures. It is argued that previous interpretations of the sheela-na-gig as a fertility figure, Celtic goddess, or image of lust have occluded the deeper significance of the image, whose ambiguity and danger is more suggestive of a herald of the sacred or otherworldly icon. This is substantiated by an exploration of the vital links between the grotesque, monstrous, ambiguous and the sacred, together with influences derived from philosophy and classical mythology, as expressed in western medieval culture.