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Both a controversial account of the transgressive turn in critical thought characteristic of the moral turmoil of the Twentieth Century, and a provocative study of maternal transfiguration in the author’s own turn from, Transgression, Against Transgression poses an urgent question for the current generation of literary critics. This title studies the origins of the contemporary proliferation of ‘Transgression’ in the compelling thought experiments of Georges Bataille, and follows its inauguration as a mode of legitimate critical practice via Michel Foucault.It tracks the author’s rejection of Transgression as a legitimate critical methodology following her mother’s death and her own maternal transfiguration. It shows how the po-faced claims of critical methodology can be exploded by genuinely personal reflection. It considers the place of grief in the transformation of thought. It argues against the model of the ‘death of god’ that underpins the transgressive turn in critical thought, and for a more courageous account of the inevitable return of numinous desires. It considers the moral responsibility of the critical writer. It traces the transfiguration of the author from transgressive daughter to maternal agent.
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Both a controversial account of the transgressive turn in critical thought characteristic of the moral turmoil of the Twentieth Century, and a provocative study of maternal transfiguration in the author’s own turn from, Transgression, Against Transgression poses an urgent question for the current generation of literary critics. This title studies the origins of the contemporary proliferation of ‘Transgression’ in the compelling thought experiments of Georges Bataille, and follows its inauguration as a mode of legitimate critical practice via Michel Foucault.It tracks the author’s rejection of Transgression as a legitimate critical methodology following her mother’s death and her own maternal transfiguration. It shows how the po-faced claims of critical methodology can be exploded by genuinely personal reflection. It considers the place of grief in the transformation of thought. It argues against the model of the ‘death of god’ that underpins the transgressive turn in critical thought, and for a more courageous account of the inevitable return of numinous desires. It considers the moral responsibility of the critical writer. It traces the transfiguration of the author from transgressive daughter to maternal agent.