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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Jonathan Bignell presents a wide-ranging analysis of the television phenomenon of the early twenty-first century: Reality TV, exploring its cultural and political meanings, explaining the genesis of the form and its relationship to contemporary television production, and considering how it connects with, and breaks away from, factual and fictional conventions in television. Relationships with surveillance, celebrity and media culture are examined, leading to an appraisal of the directions that television culture is taking in the new century. His highly-readable style is accessible to readers at all levels of Culture and Media studies.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Jonathan Bignell presents a wide-ranging analysis of the television phenomenon of the early twenty-first century: Reality TV, exploring its cultural and political meanings, explaining the genesis of the form and its relationship to contemporary television production, and considering how it connects with, and breaks away from, factual and fictional conventions in television. Relationships with surveillance, celebrity and media culture are examined, leading to an appraisal of the directions that television culture is taking in the new century. His highly-readable style is accessible to readers at all levels of Culture and Media studies.