Practice
Rosalind Brown
Practice
Rosalind Brown
Six o'clock in the morning, Sunday, at the worn-out end of January.
In a small room in an Oxford college, cold and dim and full of quiet, an undergraduate student works on an essay about Shakespeare's sonnets.
Annabel has a meticulously planned routine for her day - work, yoga, meditation, long walks; no apples after meals, no coffee on an empty stomach - but finds it repeatedly thrown off course. Despite her efforts, she cannot stop her thoughts slipping off their intended track into the shadows of elaborate erotic fantasies.
And as the essay's deadline looms, so too does the irrepressible presence of other people: Annabel's boyfriend Rich, keen to come and visit her; her family and friends who demand her attention; and darker crises, obliquely glimpsed, all threatening to disturb the much-cherished quiet in her mind.
Exquisitely crafted, wryly comic, and completely original, Practice is a novel about the life of the mind and the life of the body, about the repercussions of a rigid routine and the deep pleasures of literature.
Review
Joanna Di Mattia
Scholarly success demands a certain ascetic discipline and Annabel, the protagonist of Rosalind Brown’s exceptional debut novel, thinks she’s adopted all the right habits. She’s spending a cold Sunday at the end of January in her Oxford rooms, rising early, drinking mint tea. Practice for finals. No coffee allowed until breakfast, then maybe a run, a balanced lunch, yoga. As few distractions as possible so she can plunge into her essay on Shakespeare’s sonnets. But this being Oxford, there’s no structured topic, and Annabel is floundering. She hasn’t written a word.
Despite efforts to account for each minute of her day, diversions continually appear. There’s her mother, trying to schedule a phone call. And student friends, who both admire and mock her strict routine. She sees some of them at dinner in halls, also part of her daily practice. But the most persistent distraction is Rich, her 30-something boyfriend, who wants her to commit to him visiting the following weekend.
This deft, observant, interior novel about reading, set across one day, takes us into Annabel’s mind as it sits with the sonnets and meanders towards other things. Mostly, she thinks about sex, with Rich, real and imagined. Brown details these erotic reveries vividly. But Annabel experiences pleasure as a battle between her mind and body, enacted by imaginary, archetypal figures she calls Scholar and Seducer. Eventually, her insistence on solitude raises a moral dilemma and the necessity for other people.
Practice is drily funny, and also bleakly incisive about the particular pressure experienced by some smart young women to strive for perfection. Too much self-discipline can turn dark. Annabel discovers that ecstasy exists between the lines and outside the rules. She begins to ask for what she wants. A new practice for living.
When I read Practice’s blurb, I suspected I’d love it. It was just a feeling, but I was right. It’s a small book about very big things – how we experience the world through language. The first essential novel of 2024.
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