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Gerhard Richter and the Technological Condition of Painting
Hardback

Gerhard Richter and the Technological Condition of Painting

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Aline Guillermet uncovers Gerhard Richter's appropriation of science and technology from 1960 to the present and shows how this has shaped the artist's well-documented engagement with the canon of Western painting. Through a study of Richter's portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artist's role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations.

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MORE INFO
Format
Hardback
Publisher
Edinburgh University Press
Country
United Kingdom
Date
31 August 2024
Pages
256
ISBN
9781399525213

Aline Guillermet uncovers Gerhard Richter's appropriation of science and technology from 1960 to the present and shows how this has shaped the artist's well-documented engagement with the canon of Western painting. Through a study of Richter's portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artist's role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations.

Read More
Format
Hardback
Publisher
Edinburgh University Press
Country
United Kingdom
Date
31 August 2024
Pages
256
ISBN
9781399525213