While battles and wars and 'the clash of civilizations' are as old as time itself, there is little doubt that the conflagration of 1914?1918 was something unique and terrifyingly new. There was not a corner of the globe that did not feel its effects, some more than others, but the scope of its impact on economies, populations, food supplies, the character of governments in general and the day-to-day lives of numberless ordinary people, were such as the world had never experienced, nor expected. Little did anyone dream that the assassination of relatively minor figures of the Habsburg royal family, Archduke Ferdinand of Austria and his wife, carried out by an unknown Serbian teenager on the street corner of an obscure town called Sarajevo that few had ever heard of, could possibly provide a spark that would plunge the entire European continent into an industrialized war of catastrophic destruction. But it did: the two shots that youth fired were surely 'heard around the world', and several million people would perish or be maimed as a result. The story of World War I has been told by many different writers, historians and participants in many different ways, especially so before and during the centennial of its events that just concluded. All the World at War stands apart from many of these standard studies. It presents a familiar story from points of view that many readers might find surprising: unexpected details, different perspectives, atypical and generally insightful observations from contemporaries (often obscure to modern readers), who witnessed the events and personalities that pushed the war along from phase to phase. The narrative is chronologically arranged, beautifully written, with something new or intriguing on every page. This is a unique and finely paced account of 'The War to End all Wars' that didn't. AUTHOR: James Charles Roy is the author of seven distinguished books on European history, including the Book-of-the-Month and History Book Club selection, Islands of Storm. He has been praised by the Irish novelist Brian Moore as 'a writer both erudite and insightful', and William Butler Yeats's most recent biographer, historian Roy Foster, praised the recently published The Elizabethan Conquest of Ireland as being typical of Roy's skill, presenting 'original, challenging and creatively oblique views' of his material. Roy's work has been published by leading imprints in the US, Britain, Ireland and Germany. Also a gifted photographer, he has exhibited at the National Library of Ireland, the Boston Public Library and numerous other venues. He lives in Newburyport, Massachusetts, with his wife, the artist Jan V. Roy. Website: www.jamescharlesroy.com 16 colour, 32 b/w illustrations