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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Salon that opened at the Palais National in Paris at the end of 1850 represented French art at its mid-century zenith. There were few critics of the Salon whose reviews were more eagerly awaited than Theophile Gautier, acclaimed author of Mademoiselle de Maupin, major poet, and brilliant critic. Peter Scacco's English translation of the complete series of Gautier's original twenty-three articles from La Presse sheds important light on the art and artists of France as it entered the second half of the nineteenth century. Mr. Scacco's Introduction gives the reader useful historical context, and a valuable Appendix, listing all works by Salon artists covered by Gautier, accompanied by their Salon catalogue numbers, follows the text. With Notes and Index of Artists.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Salon that opened at the Palais National in Paris at the end of 1850 represented French art at its mid-century zenith. There were few critics of the Salon whose reviews were more eagerly awaited than Theophile Gautier, acclaimed author of Mademoiselle de Maupin, major poet, and brilliant critic. Peter Scacco's English translation of the complete series of Gautier's original twenty-three articles from La Presse sheds important light on the art and artists of France as it entered the second half of the nineteenth century. Mr. Scacco's Introduction gives the reader useful historical context, and a valuable Appendix, listing all works by Salon artists covered by Gautier, accompanied by their Salon catalogue numbers, follows the text. With Notes and Index of Artists.