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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
For all the years that I have been a college professor I have annually taught an introductory course in art teaching methods. The mode-of-operation Contemporary Art Curricular Inventions aims-not to show students how to write curriculum-but rather to amass an interminable collection of idea seedlings-at the beginning of their teaching practice-for years of art teaching through the languages of contemporary art. These seedlings-in their essence-are the quick product of imaginative contemporary art analysis in order to quickly learn its vocabulary, syntax, and possibilities. This is a search in contemporary art for permissions for our work and the work or our students. Not unlike a scholarly literature review, we look at what has been done before to see what can be done next. It may be where the art teacher goes from being a an educational professional to a creative practitioner who just happens to enjoy the challenges and benefits of a professional post.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
For all the years that I have been a college professor I have annually taught an introductory course in art teaching methods. The mode-of-operation Contemporary Art Curricular Inventions aims-not to show students how to write curriculum-but rather to amass an interminable collection of idea seedlings-at the beginning of their teaching practice-for years of art teaching through the languages of contemporary art. These seedlings-in their essence-are the quick product of imaginative contemporary art analysis in order to quickly learn its vocabulary, syntax, and possibilities. This is a search in contemporary art for permissions for our work and the work or our students. Not unlike a scholarly literature review, we look at what has been done before to see what can be done next. It may be where the art teacher goes from being a an educational professional to a creative practitioner who just happens to enjoy the challenges and benefits of a professional post.