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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In this collection by Detroit-based artist Pat Duff, she has curated a selection of her works of erotic art, rendered primarily in pastels and charcoal. "I choose to exclude no part of life and feel that the lowest vulgarity, poverty, and obscenity is the stuff of life which is the most real", says Duff. "It is a common error to suppose that beauty can be brought about in art only through the representation of beautiful things or through the use of obviously pleasing shapes. Objects, actions, or mere shapes, which in ordinary life would be unbearably repellent, can become sources of pleasure in art, not because they have a morbid appeal but because they allow us to come to terms, in art, with the horrors and the pains which would overwhelm us in real life. Without the contrast of ugliness, beauty would be insipid. Ugliness is part of the conflict resolved through art with harmony."
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In this collection by Detroit-based artist Pat Duff, she has curated a selection of her works of erotic art, rendered primarily in pastels and charcoal. "I choose to exclude no part of life and feel that the lowest vulgarity, poverty, and obscenity is the stuff of life which is the most real", says Duff. "It is a common error to suppose that beauty can be brought about in art only through the representation of beautiful things or through the use of obviously pleasing shapes. Objects, actions, or mere shapes, which in ordinary life would be unbearably repellent, can become sources of pleasure in art, not because they have a morbid appeal but because they allow us to come to terms, in art, with the horrors and the pains which would overwhelm us in real life. Without the contrast of ugliness, beauty would be insipid. Ugliness is part of the conflict resolved through art with harmony."