Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
In Classical
American Philosophy: Poiesis in the Public Square, Rebecca Farinas takes
seven major figures from the American philosophical canon and examines their
relationship with an artistic or scientific interlocutor. It is a unique
insight into the origins of American philosophy and through case studies such
as the friendship between Alain Locke and the biologist E.E. Just and the
collaboration between Jane Addams and George Herbert Mead, Farinas provides a
new insight into these thinkers’ ideas.
Her new perspective allows her to
move beyond relational aesthetics to consider these theorists’
phenomenological, metaphysical, religious and cosmological ideas and reapply them
to the modern world. Indeed, the partnerships she examines have proved
especially valuable to newer philosophical fields like value theory, ethics,
pedagogy and semiotics. Her links between art and science also provide new
vantage points on our society’s continuing artistic endeavours and
technological advances and introduce an exciting new perspective on early
American philosophy and its ensuing movements.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
In Classical
American Philosophy: Poiesis in the Public Square, Rebecca Farinas takes
seven major figures from the American philosophical canon and examines their
relationship with an artistic or scientific interlocutor. It is a unique
insight into the origins of American philosophy and through case studies such
as the friendship between Alain Locke and the biologist E.E. Just and the
collaboration between Jane Addams and George Herbert Mead, Farinas provides a
new insight into these thinkers’ ideas.
Her new perspective allows her to
move beyond relational aesthetics to consider these theorists’
phenomenological, metaphysical, religious and cosmological ideas and reapply them
to the modern world. Indeed, the partnerships she examines have proved
especially valuable to newer philosophical fields like value theory, ethics,
pedagogy and semiotics. Her links between art and science also provide new
vantage points on our society’s continuing artistic endeavours and
technological advances and introduce an exciting new perspective on early
American philosophy and its ensuing movements.