Wordsworth and Word-Preserving Arts: Typographic Inscription, Ekphrasis and Posterity in the Later Work

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By looking at the later Wordsworth’s ekphrastic writings about visual art and his increased awareness of the printed dimension of his work, Simonsen calls attention to what is uniquely exciting about this neglected body of work, and argues that it complicates traditional understandings of Wordsworth based on his so-called Great Decade.