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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
‘G. Singh’s cleanly read monography gives testimony to Pound’s sense of criticism.’ - Ian Bell, Times Higher Education Supplement ‘Pound’s criticism is as important to modern poetry as his own poetry. There is no book dealing with his criticism, either in England or in Italy, which presents it so lucidly and so convincingly as Singh’s does.’ Carlo Bo Examining with Pound’s literary criticism as a whole, this new study discusses his critical tenets and concepts as well as his critical evaluations of Arnaut Daniel, Dante, Cavalcanti, Villon, Chaucer, Shakespeare, Milton, Thomas Hardy, Henry James, Yeats, Joyce, T.S. Eliot and Wyndham Lewis. Singh also comments analytically on Pound’s critical credo, his poetics of imagism, his letters in criticism, his theory and craft of poetic translation and his views on modern French poets and prose writers. The conclusion is followed by a selection of Poundian maxims and aphorisms.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
‘G. Singh’s cleanly read monography gives testimony to Pound’s sense of criticism.’ - Ian Bell, Times Higher Education Supplement ‘Pound’s criticism is as important to modern poetry as his own poetry. There is no book dealing with his criticism, either in England or in Italy, which presents it so lucidly and so convincingly as Singh’s does.’ Carlo Bo Examining with Pound’s literary criticism as a whole, this new study discusses his critical tenets and concepts as well as his critical evaluations of Arnaut Daniel, Dante, Cavalcanti, Villon, Chaucer, Shakespeare, Milton, Thomas Hardy, Henry James, Yeats, Joyce, T.S. Eliot and Wyndham Lewis. Singh also comments analytically on Pound’s critical credo, his poetics of imagism, his letters in criticism, his theory and craft of poetic translation and his views on modern French poets and prose writers. The conclusion is followed by a selection of Poundian maxims and aphorisms.